Dark-Eyed Junco

Posted on Mar, Sat, 2022 in Landscapes, Musings from Still Point

Dark-eyed Junco

 

Few birds are more beautiful (“precious”, my mother would say) than these “snow-birds”, an apt appellation long before Audubon captured their soft beauty with watercolors and pastels. Earlier this week the large weeping birch at the east end of Squire Valleevue Farm was occupied by the early migration of an enormous “murder” of crows and an even grander “murmuration” of starlings. With my approach, the syncopated chatter erupted into cacophonous cries as birds abandoned the tree in a burst, leaving behind a lone Junco, seemingly unperturbed and perfectly amenable to a few photographs.

I love the return of Juncos to our feeders each winter but rarely spot them roosting outside the neighborhood. I think the gentleness of the bird in this image is not unlike the soft texture of small birds Audubon painted with watercolors and pastels. See what you think.
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“Bird on a Wire”

Posted on Sep, Wed, 2021 in Landscapes, Musings from Still Point, Musings from Still Point

Bird on a Wire

Would that we all had a vantage point to ponder the present, peer deeply into the past and wish so earnestly for the future.

Straddling the 45th parallel, “Bird on a Wire” was taken at the intersection of E. Lincoln and County Rt. 641 in southern Leelanau County, Michigan. This particular farm, its owner unknown to me, lies on the latitude exactly halfway between the equator and North Pole. Other than the random (mostly 19th century) farms throughout the peninsula, sand dunes, boreal forests, glacial moraines and even the occasional tamarack bog make up the landscape tracing Lake Michigan’s eastern shoreline. The sand and rich loam that for millennia have sustained the balsam fir, paper birch, blue and black spruce and vast maple and beech forests eventually attracted Europeans to lumber and farm the land. These old farms contribute to the since of timelessness that pervades the peninsula, a geologic anomaly formed 200 million years ago and now the little finger of Michigan’s left hand.

The opening lines of Bruce Catton’s 1972 memoir, “Waiting for the Morning Train” lend to the ageless framework and the lens through which we see the landscape.

“First there was the ice; two miles high, hundreds of miles wide and many centuries deep. It came down from the darkness at the top of the world, and it hung down over the eaves, and our Michigan country lay along the side of the overhang.” Catton reflects on the geologic forces that created his childhood home, imprinting indelibly upon him the history, values and memories of Benzonia, the small farm town bordering Leelanau county. The gentle dunes and fertile soil that produce Leelanau’s great orchards roll undeterred into Benzie county.

The history and my belabored story of the Leelanau peninsula ultimately relate to the image of the bird on the wire, at least with respect to why I thought the photo was relevant. At the time I realized the bird must have had a remarkable view of the land. From its height on the wire Lake Michigan spreads to the horizon on its left (west); the Grand Traverse Bay to its right (east). Looking north towards the camera the village of Northport would be just visible at the tip of the peninsula. And over its shoulder dozens of farms along with the remnants of old growth forests unrolled to the south.

The natural irony of course being the most insignificant element in the image having the greatest perspective.

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“Daybreak, 3/21/21”

Posted on Apr, Thu, 2021 in Landscapes, Musings from Still Point

Fog was descending along the banks of Schweitzer marsh as gilded shocks of grass struggled to hold the early morning light.  Shortly before daybreak, night air had collided with warmer open waters creating pockets of fog that shrouded the thickets of black willow and shoreline sedge. And beyond the rushes and silt banks, century-old pin oaks, the elite denizens of these wetlands, still stand, sharing ground with their scions, adding dimension and solitude to the landscape and bringing to mind a quote by Thomas Mann:

“Solitude gives birth to the original in us, to beauty unfamiliar and perilous – to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd.”

The second half of Mann’s proposition seemed particularly prescient as spring, 2021 had arrived gently in northeast Ohio with temperatures in the 50’s and 60’s. Nothing in this early spring image could suggest the unseasonable, unfathomable year of death that preceded. Reflecting on nature’s sublime beauty as it aligned with the equinox that day, my thoughts turned to news that Coronavirus deaths had exceeded 557,000.

How can we square in our minds a physical reality that holds at opposite extremes such profound beauty and tragic loss? With varying success, poets and other artists have plumbed this contradiction. And, in a perverse twist of irony, Joseph Stalin perhaps understood it best when he remarked, “A single death is a tragedy, a thousand deaths a statistic.”

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“Bracing, First Snow”

Posted on Dec, Sun, 2020 in Landscapes, Musings from Still Point

On the east bank, perched on a shelf of shale and siltstone 15 feet above the Chagrin River and less than a half mile south of the Gates Mills bridge, a trio of American Sycamores flanked left by young beech, right by a small hoary oak, brace for the first storm of the season. Yesterday my own mood, no doubt informed by radio reports, had me observing the landscape through a lens of apprehension. Quite conceivably the anxiety was also being shared beneath the forest floor, through messages exchanged between trees in a neural and biological network as beautiful and complex as that which grows above. Within that network of roots and ribosomes, early warnings manifest for changes in weather, disease and nutrients; challenges trees address through shared resources and a sense of community.

Ghostly, like bleached bones, the great white sycamores of the Chagrin Valley stand, erect, dendritic fingers reaching toward heaven. I’ve written before of their majesty which is only fully visible in late autumn and winter. Observed during a heavy rain yesterday afternoon, this transient scene was textured, filled with subtleties and wonders along the banks of the river, on the forest floor, above and below, seen and only to be imagined.

Today the landscape is white, dead and two dimensional.

Would that you and I, that we, in this moment of despair and need for community, behave as sycamores.
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“Chagrin Valley, Fairmount and Chagrin River Roads”

Posted on Dec, Sun, 2020 in Landscapes, Musings from Still Point

Reminding us of nature’s caprice, the arrival of a brief cold front 10 days ago, accompanied by the usual suspects (rain and wind gusts), was sufficient to strip much of the color from the slopes above the Chagrin river at the intersection of Fairmount and River Roads. The panorama below is a composite of 12 photographs taken a day later as maples, poplar, exposed oak and sycamore were left bare. Cherry and beech had lost their leaves a week earlier.
Returning this afternoon after yesterday’s (Sunday, November 15) heavy winds, all that remain are the bones of black oaks (right foreground) gesticulating, flanked by ghostly sycamores and random pockets of spruce and white pine. These slopes rise above the river to the east and west to form the Chagrin Valley, creating some of the most spectacularly iconic landscape in the country. And, with their mercurial personality, the trees anchor our affinity for nature as they remind us of its impermanence.
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“September”

Posted on Aug, Sat, 2020 in Gallery Image, Landscapes, Musings from Still Point, Musings from Still Point, Uncategorized

For sale at Still Point Gallery

                                                 “September”

My memory of Septembers in Northeast Ohio are of crystal skies, softly filtered sunlight and lengthening shadows, a month as temperate as its equinox implies. The image here, taken September 8th, 2012, as I walked the center path of Squire Valleevue Farm’s eastern meadow depicts a very different month, a portent of seasonal change. Stratocumulus clouds on the trailing edge of a cold front swept through that morning auguring an early winter. And in a moment of nature imitating art, the landscape bore resemblance to layers stacked in a Rothco painting, a study in color, horizontals and horizons.

This was the rare and restive September day with uncharacteristic temerity, an abruptness and “matter of factness” foreshadowing change, where the transition of seasons is rarely subtle. Even September with its few discordant days, skies prematurely brooding and bracing, the meadow waiting, a renascent source for life through each season. And still, most of the month a contrast, a nostalgic time when tall meadow grass makes its final surge then rests weary upon itself. Blue asters, tenacious through their last days, liatris and ironweed bending reluctantly, folding and fading, their roots and rhizomes anchoring the meadow through time.

I’ve often thought September in Cleveland to be a mix of memories and wistful, melancholic longings for another place or for past friends and family. The barn, its weathered sides and growing clefts reminding us of changes ahead; each season – life’s measure and mystery.

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