“Canola Fields”

Posted on May, Wed, 2024 in Uncategorized

“Canola Fields”

Sunday morning, May 5, canola fields glisten in the early light in the small rural town (population, 611) of Frenchburg, Kentucky, home to my father-in-law. In recent years canola has supplanted much of the tobacco production that flourished in the state for three centuries. Flowering canolas are profuse for several weeks in the spring and have changed the aesthetic of the landscape, perhaps not for the better but brilliant nonetheless, almost neon-like in the first weeks of May.

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“Ancient Doors” (Andean Village, Sigsig, Ecuador)

Posted on May, Wed, 2024 in Gallery Image, Uncategorized

“Ancient Doors” (Andean Village, Sigsig, Ecuador)

“Ancient Doors” Andean Village Sigsig, Ecuador

12 years ago in early June we were in Cuenca, Ecuador visiting small towns in the Andes. Founded by early Spanish explorers and well concealed in the mountains, we encountered these doors in Sigsig, a small canton (village) tucked between steep slopes, a two hour drive from Cuenca. What has made this otherwise ordinary village so remarkable is that its primary source of income is derived from the manufacture of iconic Panama hats by a small number of women employed in the local hat factory.

The town is an example of early Columbian architecture dating to 1540. Kate and I were struck by these magnificent doors opening onto a brick street next to the factory. Stained with Guito, a brilliant, plant-based blue dye, they contrasted perfectly with the late afternoon glow of gold reflected by the wooden floors.
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“In Praise of a Rising Sun” May 27, 200

Posted on May, Mon, 2024 in Landscapes, Musings from Still Point

“In Praise of a Rising Sun”

Shortly after 4:30 a.m., 15 years ago tomorrow morning, I arrived at Schweitzer marsh to “bear witness” to another sunrise. At the time I calculated I’d seen 200 or more sunrises and perhaps only a score of sunsets over the 60 years that I’d visited the marsh. Each was remarkable for its singular beauty and each has added immeasurably to my reverence for existence.

For all its dramatic color at the end of day the setting sun, our animating star, goes mostly unnoticed as it transits the sky; a quotidian fixture languishing above until its abrupt conclusion, sliding silently away, fire and birdsong disappearing with it into night. For me, the setting sun tinges of resignation, even the mystery of death, an epilogue to the long day … to life – possessing a secular sameness, almost an afterthought in contrast to the numinosity of the rising sun.

Looking east across the marsh, this indelible morning began in the dark of night as I picked my way along the west bank through buttonbush, rush and reed to its northern corner. The path, if not particularly worn, was well known to me as I’ve travelled it frequently, often in a soporific state I confess.   The water’s surface, mere feet beyond the bank, spread imperceptibly east, not yet visible. Shortly after 5:00 a.m. its surface or possibly its illusion appeared though it was not until hearing the “check, check” call of a red winged blackbird that I knew with certainty twilight had begun – the true magic when trees and brush and wildlife slowly take form. After another 30 minutes the Canada geese joined the red winged blackbirds and spring peepers as the marsh came to life beneath the colorless, opaque sky.

Beyond and above daybreak’s dissonant shrill, as the sun pierced the horizon, came the sublime, terrifying croak of a Great Blue Heron proclaiming itself in the new day. In that moment, the morning fire, an effulgent blaze of red and orange, terror and wonder, swept the landscape. Who has witnessed such moments and emerged unchanged?

So I leave you with one of my favorite images. After the sun rose that morning and the chorus of birds and peepers fell silent, a lone redwing blackbird perched atop a long dead pin oak, announced his existence and joy for the new day.

In many ways this is my elegy to Schweitzer Marsh, especially for those of you who have followed and assisted in preserving this small, remote wilderness. The Wheeling & Lake Erie railroad effectively drained the wetland over a year ago and can not be persuaded by law or through conservation to reverse their actions.

Autumn and spring migrations have ceased, the red winged blackbirds have moved on and only a small rivulet runs tortuously over fields of dead sedge. As John Keats lamented in his famous ballad, “La Belle Dame sans Merci,” just over 200 years ago, “The sedge has withered … and no birds sing.”

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“Le Recueillement”

Posted on Apr, Wed, 2024 in Uncategorized

 

“LE RECUEILLEMENT”(Contemplation)
PARIS
Latin Quarter, Rue de Bievre
Six years ago today (4/24/16) on her first trip to Paris, Kate and I arrived to lovely spring weather that transformed into snow and freezing rain two days later. Yet it was one of our favorite trips, perhaps all the better for the inclement weather that forced us to spend more time in museums and architectural landmarks and masterpieces.

The Latin Quarter on the Left Bank (River Gauche) provided an almost existential rendering for the scene pictured here. Perched on the southern side of the Seine, the area sits across the river from the Le Marais district, each tucked into its respective arrondissement, both in close proximity to Notre Dame. I took the photo in the early morning on the Rue de Bievre where one might imagine this solitary figure to be an incarnation, or at least a contemporary evocation, of a famous writer, artist or philosopher (perhaps the ghost of Sartre) who spent their time here in the last century.
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“Stars”

Posted on Feb, Wed, 2024 in Landscapes, Musings from Still Point, Uncategorized

“Stars”

“Stars” Squire Valleevue Farm

Last year I posted an image from the farm entitled, “Where Shadows Come to Die, ” in which I explained the derivation of the name and alluded to an earlier series of the same meadow taken in early spring on the same day several years earlier. This image (“Stars”) of dandelions is from that earlier series I entitled “Constellations.” As prominent as the dried dandelions appear, I would suggest the role of the distant barn is the critical element anchoring the image.

I come here each spring to find new wildflowers or meadow grasses or skies or things unanticipated.

 

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“And No Birds Sing”

Posted on Feb, Fri, 2024 in Landscapes, Musings from Still Point, Musings from Still Point

“And No Birds Sing”

 

An ancient pin oak, its heartwood now ossified and alabaster, leans in like a conductor as rows of trees like orchestra members strain for direction. One can almost hear the sylvan sounds of Grieg, lyrical notes of a breeze ascending. Peering into its woodland, this is a view of the northwestern corner of Schweitzer’s Marsh a little over a year ago, before the W&LE Railway opened a channel to drain the marsh, an action not undertaken in over 100 years. Here, above the northern bank, the forest floor is layered in autumn’s last leaves and the scent of damp earth and detritus lingers. Fluorescing lichen paints trees in luminous blues and greens in this remnant of a century old beech and oak forest. Some ancient pin oaks still stand, their bark sloughed through the seasons.

Just over a year later, this pristine wetland, Schweitzer Marsh, is lost, nothing more than withered sedge, rush and shallow pools splashed across vast mud flats that now have replaced acres of wildlife habitat, and destroyed an aesthetic of indescribable beauty and of sunrises that once set the marsh on fire.

And no birds sing.
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