“First View”

Posted on Sep, Thu, 2024 in Uncategorized

“First View”

 

Geoff Baker, Artist
September 18, 2024

This week I began a review of past photographs of Schweitzer Marsh in contemplation of a new book of stories and images dedicated exclusively to this wetland in Aurora, Ohio.  As some of you already know, the Wheeling & Lake Erie Railway illegally drained the area in December of 2021. The many generous letters of support imploring the railroad’s senior management to reverse their actions unfortunately has generated no response other than their disavowal of liability. The cost of litigation and the generally feckless actions to date from relevant state and Federal agencies and conservancies have weighed against the potential remediation and restoration of the marsh.

The book I envision is conceived neither with the intention nor expectation it will be any more persuasive or inciteful to change than the collective efforts already undertaken. Instead, it will be intended as homage from a friend, a lifelong beneficiary of what this consecrated place has taught me.

This wetland and the adjacent forests have been the locus for much of my own life. As I assemble images and short narratives, I’ll post them here for those who may be interested. To begin, the photograph above, “First View,” was an image featured in my exhibit at the Butler Institute in 2011, but regrettably not one I’ve really explored adequately until this evening. Hopefully the image and following commentary will convey some of the mystery and awe that sadly no longer exist.

“First View” Wednesday, March 31, 2010
The far reaches of Schweitzer Marsh are elusive, the only access a knee-deep wade through the shallows along the northern bank, then east 100 yards to a barrier of rush and reed that opens to the view pictured below. No evidence of life this last morning of March, the water flat as the thin skin of ice before the night’s thaw. Pickerel weed and water lily, dormant beneath the surface, yet to awaken to the new season. Even the small egg masses of spring peepers, normally suspended in a liminal state beneath the water were missing. Within a few weeks the chorus of redwing blackbirds and waterfowl would fill this outdoor cathedral of trees ringing the banks.

No sound, not even the subtle lapping of water against the banks, only the air of benign silence. I entered the water before daybreak, wading tentatively as the sun rose low and opacious on the horizon, its dark waters, still and lucid, reflecting the world above. Contributing to a natural cathedral of otherworldliness, this light fog and low temperatures had returned to northeast Ohio creating a crepuscular haze that rose into lucence high overhead .

A day earlier a warm front thawed all but a thin layer of ice that had bound the banks to muskrat lodges, cattails and hillocks of sedge rising above the water. The last membrane of ice had dissolved into fog late that night. In the distance, appearing as a giant fairy ring, stands a copse of long dead pin oaks, animated and haunting, their reflections plumbing the shallow waters.

And somewhere beyond, a profound sense of solitude was captured in the words of poet May Sarton who wrote, “Loneliness is the poverty of self; solitude is richness of self.”

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“Canola Fields”

Posted on May, Wed, 2024 in Uncategorized

“Canola Fields”

Sunday morning, May 5, canola fields glisten in the early light in the small rural town (population, 611) of Frenchburg, Kentucky, home to my father-in-law. In recent years canola has supplanted much of the tobacco production that flourished in the state for three centuries. Flowering canolas are profuse for several weeks in the spring and have changed the aesthetic of the landscape, perhaps not for the better but brilliant nonetheless, almost neon-like in the first weeks of May.

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“Ancient Doors” (Andean Village, Sigsig, Ecuador)

Posted on May, Wed, 2024 in Gallery Image, Uncategorized

“Ancient Doors” (Andean Village, Sigsig, Ecuador)

“Ancient Doors” Andean Village Sigsig, Ecuador

12 years ago in early June we were in Cuenca, Ecuador visiting small towns in the Andes. Founded by early Spanish explorers and well concealed in the mountains, we encountered these doors in Sigsig, a small canton (village) tucked between steep slopes, a two hour drive from Cuenca. What has made this otherwise ordinary village so remarkable is that its primary source of income is derived from the manufacture of iconic Panama hats by a small number of women employed in the local hat factory.

The town is an example of early Columbian architecture dating to 1540. Kate and I were struck by these magnificent doors opening onto a brick street next to the factory. Stained with Guito, a brilliant, plant-based blue dye, they contrasted perfectly with the late afternoon glow of gold reflected by the wooden floors.
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“Le Recueillement”

Posted on Apr, Wed, 2024 in Uncategorized

 

“LE RECUEILLEMENT”(Contemplation)
PARIS
Latin Quarter, Rue de Bievre
Six years ago today (4/24/16) on her first trip to Paris, Kate and I arrived to lovely spring weather that transformed into snow and freezing rain two days later. Yet it was one of our favorite trips, perhaps all the better for the inclement weather that forced us to spend more time in museums and architectural landmarks and masterpieces.

The Latin Quarter on the Left Bank (River Gauche) provided an almost existential rendering for the scene pictured here. Perched on the southern side of the Seine, the area sits across the river from the Le Marais district, each tucked into its respective arrondissement, both in close proximity to Notre Dame. I took the photo in the early morning on the Rue de Bievre where one might imagine this solitary figure to be an incarnation, or at least a contemporary evocation, of a famous writer, artist or philosopher (perhaps the ghost of Sartre) who spent their time here in the last century.
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“Stars”

Posted on Feb, Wed, 2024 in Landscapes, Musings from Still Point, Uncategorized

“Stars”

“Stars” Squire Valleevue Farm

Last year I posted an image from the farm entitled, “Where Shadows Come to Die, ” in which I explained the derivation of the name and alluded to an earlier series of the same meadow taken in early spring on the same day several years earlier. This image (“Stars”) of dandelions is from that earlier series I entitled “Constellations.” As prominent as the dried dandelions appear, I would suggest the role of the distant barn is the critical element anchoring the image.

I come here each spring to find new wildflowers or meadow grasses or skies or things unanticipated.

 

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“New Year Trepidation”

Posted on Jan, Mon, 2024 in Landscapes, Musings from Still Point, Uncategorized

“New Year Trepidation”

This is the new year view that greeted me Friday as I approached the woodland just beyond the dried banks at the north end of Schweitzer marsh. There are untold poems that reside within. One can imagine Robert Frost pronouncing it “dark and deep.” And as this old woodland sprawls atop glacial drift and a garrison of pin oak, beech and hawthorn fortify what remains of the marsh, a line from Keats comes to mind; “The sedge has withered from the lake, And no birds sing.”

One year after the Wheeling & Lake Erie Railway created a channel and added a new culvert, the wetland has been largely drained and transformed. Waterfowl and wildlife that have depended on the marsh for nesting and food and that animated the wetland for at least a century have disappeared and with them its spirit. Countless individuals who will see this post have written entreaties to the W&LE, signed and helped fund a national petition, and encouraged the Ohio EPA, Army Corps of Engineers, Summit County Parks and Tinker’s Creek Watershed Partners to bring to bear responsibility and a sense of stewardship to the Railway. The solutions are within easy reach and of little cost to the company but the W&LE refuses to correct its poor judgement – the product of corporate insouciance perhaps or simply inflated ego.

In a final attempt to save the marsh we asked the Army Corps of Engineers to begin an investigation last September based on the Railway’s failure to obtain permits to create the drainage canal. To date, the Corps has provided none of its findings as we continue to request status reports. As they become available or other information surfaces we will keep you all apprised.

My choice of title was not “Happy” New Year, as you no doubt have deduced from the content of this post. “Trepidation” strikes me as the operative word, not only for the tragedy of a wetland but for the overwhelming dread that has our Republic in its hold. Sadly, the notion of hope seems a bit quixotic if not quaint in this year of our retributor, 2024.

“Schweitzer Marsh, New Year 2024”

As a coda of sorts to the update on Schweitzer Marsh, the image below was taken the same day (Jan. 6) as the original post. I’ve rendered it in black and white, in part as a metaphor for the destruction of the wetland but also as a tribute to its enduring beauty, even in its transformation.

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